Shortly after, Charlie Haden asked her to arrange and write for The Liberation Music Orchestra. In 1966 they had a daughter, Karen, who was to be Carla’s only offspring.Īt the end of the sixties Gary Burton recorded Carla’s first extended work, A Genuine Tong Funeral.
They formed a group called The Jazz Composer’s Orchestra, and soon became personally involved she left Paul Bley and moved in with Michael Mantler.
She was a member of The Jazz Composer’s Guild and met composer Michael Mantler at the meetings. During this period she also worked in the cloakrooms of Basin Street and the Jazz Gallery in order to hear as much music as possible. Soon George Russell, Jimmy Giuffre, Tony Williams and others began to play and record her compositions. In the early sixties Paul and Carla returned to New York. When saxophonist Ornette Coleman came on the scene in the mid-fifties, Paul Bley immediately hired him and Carla was exposed nightly to ‘free’ playing, a powerful influence that was to affect her writing for many years. She met pianist Paul Bley and eventually relocated to Los Angeles, where Paul and his quartet had a steady gig at the Hillcrest Club. She resumed her musical education by working as a cigarette girl at the notorious Birdland jazz club, where she was able to hear the greatest jazz musicians of the day. Her formal education stopped entirely when she dropped out of high school after completing the tenth grade.ĭuring her adolescence Carla was drawn to jazz and moved to New York City to be closer to the musicians she admired.
But her musical education ended at the age of eight. Her father Emil Borg, a piano teacher and church organist, began giving her music lessons when she was three years old and she was soon playing at church functions. (Carla has extensive notes here on these and other Xmas tracks, which she’s already recorded: )Ĭarla Bley was born in Oakland, California in 1936. In addition he has appeared on countless albums with others (Mingus-14, Abrams-3, and others such as Persip, Davis, Lou Rawls, Richie Cole, Ricky Ford, the Jazz Tribe, Joe Lovano, the WDR Big Band, Jamaaladeen Tacuma and Gruntz to name a few).Ĭarla Bley - arrangements (Tracks #1, 6, 7, 8, 9, 11) He has released 22 record albums as a leader.
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He has appeared in films, TV and Radio both as a sideman and leader since 1965. Jack Walrath’s talents have been utilized by Charles Mingus, Ray Charles, Muhal Richard Abrams, Ricky Ford, Sam Rivers, Joe Morello, Charli Persip, Miles Davis, Quincy Jones, Bill Moring, Ray Anderson, Craig Harris, Pete LaRoca, Mike Longo, Elvis Costello, Motown, Larry Willis, George Gruntz, Paul Jeffrey, Gunther Schuller, Hal Galper, the Monk Tentet, Bobby Watson, et al. Jack Walrath - arrangements (Tracks # 2, 3, 4, 5, 10) Recording System: Sequoia Workstation, Sound Devices 788T Preamplifiers: Forssell Technologies SMP-2, AEA TRP Spot Microphones: AEA R84, Sennheiser MKH 8040, Schoeps MK41 and MK2 Mastered by: Scott Hull - Engineered, Edited and Mixed by: Andrew Bove - Īrt Direction and Packaging Design by: Julian Mendez Perea Recorded over 4 years (and two hornists!) from 2008-11, we loosely see this as our version/snapshot of NYC in and around the holidays.
Composers and nods to composers include Thelonious Monk, Handel, Respighi, Mel Tormé, Brubeck and more. The styles are all over the map.Christmas in New York is never monocultural - reggae, classical, gospel, straight ahead jazz, calypso, Italian waltz, classic ballads, etc. It will not be the last (some of the next one’s already been recorded!) We had found the compliment to Carla’s charts and after 5 years, we are happy to bring you our first holiday collection.
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Jack is a trumpeter and band leader who knows how to give things room to breathe.perfect for us! Jack came in with two, then ultimately five really creative and interesting charts some very new twists on the classics and a few amazing, but more obscure “new” classics. Jack had written many arrangements for Dave and, as with Carla, knew both Dave & Lew for years. To fill out the recording Dave introduced us to Jack Walrath. If we did a holiday recording, it’d need to be outstanding.special we’d want it to be something like this. I loved them and later asked if we could use them to record and she said yes.” We needed more material to fill a CD something not to be taken lightly, as there are so many holiday offerings. “She had two or three of the charts and asked some of us to play them for her. Lew was doing a big band tour with long-time friend and colleague Carla Bley. Manhattan Holiday is the latest recording from theĭynamic quintet, Manhattan Brass - a compilation of both classicĪnd curious holiday treats, all arranged by two of the mostĬreative artists working in music today Carla Bley & Jack Walrath.
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